The renowned Chilean-Mexican artist Mon Laferte presented in Santiago de Chile her long-awaited new album entitled Femme Fatale, which will be released on platforms on October 24, 2025.
This project represents a clear intention on the part of the singer to redefine the term “femme fatale”, transforming it from a stigma into a symbol of female empowerment.
A new look at the concept of “femme fatale”.
Mon Laferte explains that, in past decades, this epithet had negative connotations.
However, in this project he consciously embraces it.
“In the 1950s I would have felt bad if I was called that, but in 2025 I love it…I love being that confident, free woman who uses her sensuality and charms,” she stated.
Inspired by the way she was titled by the press (“the femme fatale of music”) and by her experience in the musical Cabaret in Mexico City as Sally Bowles, Mon Laferte takes an artistic step towards introspection and reinvention.
Sound, collaborations and album aesthetics
The album combines new influences of jazz, soul and R&B, with a theatrical cabaret aesthetic that reinforces his artistic vision.
It consists of 14 songs, with previews such as “Otra Noche de Llorar”, “La Tirana” with Nathy Peluso, and “Esto Es Amor” with Mateo Sujatovich (leader of Conociendo Rusia).
Artists such as Tiago Iorc and Silvana Estrada also participate, which broadens its Latin American scope.
Mon Laferte describes the work as “very personal” and “dark”, with recordings from voice notes she herself took in the wee hours of the morning in moments of vulnerability.
The album thus becomes a space of redemption, authenticity and affirmation for the female listener, especially for the U.S. Hispanic community.
A Latin musical bridge
I love being that confident woman
Mon Laferte
For the Hispanic reader living in the United States, this release has multiple values:
First, to see a Latina artist leading an evolution of female identity in music.
Second, enjoy an album that blends Latin American tradition with global sounds.
Third, to connect with a discourse of empowerment that transcends borders.
In addition, Mon Laferte’s dual nationality (Chilean-Mexican) and her residence in Mexico reinforce her role as a cultural bridge between Latin America and the U.S. diaspora.
His collaborations with artists from different countries reinforce the idea of a Latin American community unified by music.
For more information, visit QuéOnnda.com.