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On this occasion, an article published in 2017 in The New York Times about a mysterious Pentagon program on UFOs, along with information about sightings in various countries, ignited the spark in the filmmaker, who launched into outlining a story in the notes of his iPhone, starting with its denouement, just as he did in his day with ‘Close Encounters of the Third Phase’.<\/p>\n
“When I’m the one writing, I usually start with the ending, because I need to crystallize what I want to say (…) But in other films where I adapt a book or someone sends me a script that I end up directing, I already know what the ending is, so it’s a different approach,” Spielberg explains.<\/p>\n
Stevena Spielberg and his Aliens: Classified Secrets<\/b><\/h2>\n
Almost a decade later, this idea that was born on a cell phone screen will arrive in theaters as ‘The Day of Revelation’.<\/p>\n
But… why now? According to Spielberg, “people who are in the government, in the military – not just in the U.S., but all over the world, he says – are suddenly starting to talk about the secrets they’ve been keeping from the global population.” <\/p>\n
With this idea in mind, ‘The Day of Revelation’ focuses on the hidden documentation that exists, in the hands of institutions, on extraterrestrial existence and asks how it would impact humanity if all this material finally saw the light of day and how far some would go to prevent it.<\/p>\n
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